The second soundtrack album contains a synthesiser version of Rossini's "La Gazza Ladra" (The Thieving Magpie) the film contains an orchestral version.
For example, Kubrick used only part of "Timesteps", and a short version of the synthesiser transcription of the Ninth Symphony's Scherzo. Three months after the official soundtrack's release, composer Carlos released Wendy Carlos' Clockwork Orange (1972) (Columbia KC 31480), a second version of the soundtrack containing unused cues and musical elements unheard in the film. He states the original LP omitted the first due to lack of space on a traditional vinyl LP recording. Īccording to Kristopher Spencer's book on film scores both Rimsky-Korsakov's Scheherazade and Terry Tucker's Overture to the Sun were used by Kubrick originally as temp tracks for the film, but he ultimately chose to stick to these rather than the pieces Carlos composed for those sections. However, its presence in the film is acknowledged by critic Michel Ciment in the filmography in the back of his book Kubrick, and at least the composer's name is mentioned as used in the soundtrack in three other books on either Kubrick or the film. Lyrics by Arthur Freed, music by Nacio Herb BrownĪlthough two excerpts from Nikolai Rimsky-Korsakov's Scheherazade are heard during Alex's Biblical daydreams while reading the Bible in prison, this piece does not appear on the soundtrack album, nor is it listed in the closing credits. " Singin' in the Rain" (recording taken from the soundtrack of the 1952 film) "Ninth Symphony, Fourth Movement (Abridged)"Ī Deutsche Grammophon Recording (Berlin Philharmonic conducted by Herbert von Karajan, 1963, uncredited) "Suicide Scherzo (Ninth Symphony, Second Movement, Abridged)" "I Want to Marry a Lighthouse Keeper" (rerecorded song from Sound of Sunforest, 1970 film version differs from soundtrack version)Ī Deutsche Grammophon Recording (Rome Opera House Orchestra conducted by Tullio Serafin, 1963, uncredited) "Overture to the Sun" (rerecorded instrumental from Sound of Sunforest, 1970) Later, using the symphony's second movement, Mr Alexander, and fellow plotters, impel Alex to attempt suicide. The audience does not see every violent film Alex is forced to view during his Ludovico conditioning, yet the symphony's fourth movement is heard. In the novel, Alex is accidentally conditioned against all classical music, but in the film, only against Ludwig van Beethoven's Ninth Symphony, the soundtrack of a violent Ludovico Technique film that Alex is exposed to. Hedwigskathedrale – Ferenc Fricsay – Irmgard Seefried, Maureen Forrester, Dietrich Fischer-Dieskau, Ernst Haefliger. 125 – Berliner Philharmoniker – Chor der St. Neither the end credits nor the soundtrack album identify the orchestra playing the Ninth Symphony excerpts however, in Alex's bedroom, there is a close-up of a microcassette tape, labeled: Deutsche Grammophon – Ludwig van Beethoven – Symphonie Nr. "March from 'A Clockwork Orange'" (based on the choral movement of the Ninth Symphony by Beethoven) was the first recorded song featuring a vocoder for the singing synthpop bands often cite it as their inspiration. The main theme is an electronic transcription of Henry Purcell's Music for the Funeral of Queen Mary, composed in 1695, for the procession of Queen Mary's cortège through London en route to Westminster Abbey.
Land of Hope and Glory) heralding a politician's appearance at the prison. Edward Elgar's Pomp and Circumstance March No. Some of the music is heard only as excerpts, e.g. Music that Carlos recorded for the film that remained unreleased, including complete tracks, was released three months later on her album Walter Carlos' Clockwork Orange. It includes pieces of classical music and electronic music by American composer and musician Wendy Carlos, whom Kubrick hired to write the film's original score. Records, featuring music from Stanley Kubrick's 1971 film A Clockwork Orange. Stanley Kubrick's A Clockwork Orange is a soundtrack album released in 1972 by Warner Bros.
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